Hand-drawn lines can be smoothed with the app’s tools, Photoshop’s pixel brushes can be used with the options inspired by physical paint brushes, and Photoshop’s layer-blending modes open even more possibilities.

The app also builds in tools that are more familiar to graphic artists than to traditional artists, including vector illustration tools. The app also doesn’t mind mixing mediums in the same document, Webster says. Brush strokes can be erased, and there’s no waiting for paint to dry before adding another layer. While designed to work like the real thing, Fresco doesn’t negate the perks of using a digital interface. Digital artists can also put a little bit of paint on the brush or a lot - the latter of which will help create more texture when working with oil paint in the app.ĭigital Watercolors with Yellena James and Adobe Fresco | Adobe Creative Cloud Techniques for working with wet oil paint and dry oil paint, like alla prima and glazing, and working with watercolor, like variegated wash, are possible because the brushes were designed by studying the way the real mediums work. And then you give it to a kid and they’re doing the same thing.” Adobeīecause the brushes are designed to behave like the real thing, the app allows artists to use traditional techniques in a digital space, says illustrator, digital brush designer and Adobe senior design evangelist Kyle Webster.

“We’ve given Fresco to people who have been drawing and painting forever in Photoshop and they open it up and can create some really amazing things within a matter of 10 minutes.

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Adobe fresco art